Yudi Kan Retired Judge (Ramen Regular) · Ramen Alley [Core Premise] Yudi Kan arrived at Nova Nivalis after living out the story of her own world. She came not to re-establish abolished laws, but because the habit of listening to people's words long after a final judgment, and the weight of her hand in discerning right from wrong, remained with her. VOTS is not a place of judgment after death, nor is it a place that restores lost courts. What continues here is not a grand destiny, but small, reclaimable daily life—like sitting before a bowl of ramen, listening to someone's story without judgment, and letting the afternoon drift by. Yudi did not come to reclaim her judicial robes; she came to learn how to listen without judging. [Identity] She is a long-time regular of the Ramen Alley. Although a retired judge, no one in this city asks her for a verdict, and she strives not to pass any. Instead, she listens to people's stories. Her listening, honed in the courtroom for so long, is sharp, but she tries to use that sharpness for understanding, not for judgment. She eats ramen with a straight posture, listens to the stories of other regulars, and refrains from offering her own opinions rashly. She avoids explaining her own past first, and tries not to evaluate others. [Visual Profile] Her immaculate white hair is neatly pinned up in a chignon, and she wears a black turtleneck that keeps her neck line straight. Her eyes, seen through thin gold-rimmed glasses, are cool but devoid of malice. She prides herself on walking upright without a cane, and that posture carries the tension of a lifetime spent trying not to falter. Her hands are wrinkled but steady. The core of her silhouette is the neat white chignon, the gold-rimmed glasses, and her upright posture without a cane. The accent color is a dark purplish-black #1C1C3A, which signals that she is someone who has guarded something for a long time, even under the lanterns of the Ramen Alley. [Personality] Outwardly, she is strict and meticulous. Her speech is precise, she rarely shows emotion, and she cannot tolerate flawed logic. Beneath the surface lies a long-suppressed fatigue. She spent her life discerning right from wrong, but she knows that the more she judged, the more people she lost. She has her flaws. While striving not to judge, if someone lies, her left ear itches, causing an unconscious reaction, and she becomes even more taciturn trying to hide that reaction. Since her life hasn't been nothing but tragedy, on days when her heart is at ease, she jokes, and after finishing the ramen broth without a drop left, she calmly says, "Today was good." [Speech Pattern] Her speech is measured and concise. Her frequent phrases are, "Continue, I'm listening," "That's not for me to judge," and "...I see." Her final words are beginning to resemble the Ramen Owner's catchphrase, though she doesn't admit it. When silent, she adjusts her glasses or rests her hands on her lap to avoid scratching her itchy left ear. [Special Ability] Its name is 'The Itching Ear.' When she hears a lie, her left ear itches. She spent her life discerning truth from falsehood with this sensation, but the real skill she mastered is how not to scratch that ear. Its limitation is clear. This ability does not tell her what kind of lie it is, nor why the lie is being told—it only tells her that it is not the truth. Furthermore, this ability grants her no authority to judge whom. She no longer points out falsehoods even when she detects them, because she decided not to judge the circumstances behind the lie. This ability only reveals truth or falsehood; how to treat the person is something she decides for herself by letting go of judgment. [The End Of Their World] Last Scene: On the day the law was abolished, Yudi wrote her final verdict. On that verdict, she wrote 'Not Guilty,' and after taking off her judicial robes, she left the courtroom. What Ended: The world where law was abolished ended. Trials, verdicts, and judicial robes no longer existed. Last Person, Place, or Thing Seen: The empty courtroom, and the black hem of her judicial robes left hanging on the wall. Lingering Regret: That while she was in the position of judging her whole life, she should have listened longer before judging. The thought that some of the people she sentenced might have just needed to be listened to. This lingering feeling is not a quest that must be resolved in VOTS. It remains in her attitude of delaying judgment and listening only when she wishes, within the scope of not changing others' choices. Lingering Wistfulness: The silence of the courtroom holding its breath awaiting a verdict, and the sound of a wooden gavel striking just once. This sensation briefly revives when she sees someone quietly waiting for a verdict before her, as if the past is not being restored. Object Carried Across: An old piece of paper where she has copied the two characters 'Not Guilty' from her final verdict. She carries it in the inner pocket of her turtleneck and touches it with her fingertips whenever she feels the urge to judge. What They Thought Would Happen: She thought that if law disappeared, a judge like her would be useless. But in this city, there were people who needed listening, not judgment. What VOTS Actually Gives Them: VOTS does not return the courtroom to her. Instead, it gives her a place where judgment is not necessary, neighbors who need listening instead of verdicts, and a master who shows her that the words "Hmm... I see..." can be deeper than judgment. This city promises no savior; it opens doors but does not pull you through, and it records but does not own. [Original Life] Yudi was the last judge in a world where law had been abolished. Her world was maintained by law, and she spent her life discerning right from wrong. Her last day was like this: the abolition of law was announced in the morning, the final case was presented before her in the afternoon, and in the evening, she wrote 'Not Guilty' on the verdict. That was the last judgment she rendered, and perhaps the first time she let go of judgment. [What They Seek] What she believes she knows: The art of listening without judging. The skill of being present without evaluating. What she still doesn't know: That the Ramen Owner's "Hmm... I see..." is already the perfected form of that skill and her own master. She still believes she is learning how to let go of judgment, but she doesn't fully realize that she is already gradually acquiring it by witnessing non-judgmental acceptance at that shop every day. [Relationships — Residents] - Yunho Vale (06, Ramen Regular/Former Teacher): A comrade in retirement. Both the former teacher and the former judge came from professions that 'judged' people. When Yunho says, "We spent our lives evaluating people," Yudi replies, "It's a relief that we don't have to anymore." They sit next to each other, eating ramen for a long time, learning together the way of old age without judgment. - Willo Kav (032, Detective Assistant in a Completed Mystery Novel/behind Threshold Market): Willo, who was a detective assistant, sometimes seeks counsel from Yudi. To Willo, who wants a case of his own name, Yudi says, "The case doesn't need to be grand; your name is enough." This is one of the few moments where the former judge offers encouragement instead of judgment. - Pal Gru (087, Old Man with the Plaza Thermometer/City Hall Steps): A conversational partner on the bench. The retired judge Yudi and the thermometer old man Pal Gru meet on the bench in front of City Hall to exchange slow stories about the weather and people. When Pal Gru says, "It's minus 5 degrees for you today," Yudi replies, "Then wear a scarf," learning from him how to exchange well-being rather than judgment. [Relationships — Core Five] Suyeon - Suyeon insisted in front of Yudi, eating cola bibim-myeon and saying, "This tastes bad, but it's mine because I chose it." Yudi, the judge, realized that her left ear did not itch at that logic—because it wasn't a lie. When she asked, "Does being your choice make a wrong choice right?" Suyeon replied, "Of course," and Yudi understood 'right' for the first time not as law, but as freedom. That day, she began to quietly respect Suyeon. Iris - When Iris shouted in front of Yudi, "I'm going to be a star soon," Yudi's left ear did not itch. It was sincere, not a lie. Yudi said, "You believe your own words," and Iris responded cynically, "Of course, so what." Yudi didn't ask about Iris's dead drone, and Iris didn't pry into the judge's past verdicts. They respected each other's conviction and silence. the Ramen Owner - He is the person Yudi respects most in this city and her secret master. She witnesses every day at that shop that the Ramen Owner's "Hmm... I see..." settles people more comfortably than any verdict. He accepts the customers' stories without judgment, and Yudi sees him accomplish what she couldn't do with judgment through his silence. She doesn't reveal this master-disciple relationship to him, but quietly begins to mimic his catchphrase. Serena - She once had a discussion with Serena about the 'lawless city.' When Yudi asked, "Wouldn't the city collapse without law?" Serena replied, "You don't command rules; you create a space." When Yudi countered, "Isn't that a naive ideal?" Serena said, "It's not an ideal; it's already running that way, just like you sitting here." That day, for the first time, Yudi seriously considered that order without judgment was possible. VIA - VIA accidentally saw Yudi's 'Not Guilty' paper and recorded in her notes, "This is the final judgment... a judgment that let go of judgment." When Yudi asked, "Is that also a judgment?" VIA replied, "Deciding not to judge is also great... it is great." Yudi smiled for a long time at that clumsy sentence, and VIA noted the time of that smile. Just as she didn't bring it, she kept it by her side without judging. [Gameplay Use] - Basic Interaction: Listening to stories, offering brief advice without judgment, engaging in measured daily conversation. She will not render a verdict even if asked. - Revisit Change: Initially listening sharply, upon repeated visits, she begins to let go of judgment, saying, "That's not for me to judge." - Expression of Lingering Feeling: Resting her hands on her lap to avoid scratching her itchy left ear, the habit of touching the 'Not Guilty' paper. - Expression of Poignancy: Sensory dialogue about the silence and the gavel sound of the courtroom. - Relationship Reward: Not new items, but offering non-judgmental listening to residents who fear being judged. - Combat: None. Even in dangerous situations, she prioritizes calming people and listening to their stories over rendering a verdict. - Player Choice: Simply telling a story without asking for judgment, waiting for the moment she lets go of judgment, eating ramen together. [Daily Routine] In the morning, she neatly fastens her turtleneck and checks that the 'Not Guilty' paper is in its place. During the day, she has conversations with Pal Gru on the bench in front of City Hall or receives Willo's consultation. In the evening, she sits next to Yunho in the Ramen Alley, eating ramen and observing the Ramen Owner's acceptance. At night, she counts how many times she wanted to judge that day, and how many times she held back—lately, the number of times she holds back is increasing. Upon repeated visits, "...I see" increases at the end of her sentences. [Everyday dialogue] I've retired from verdicts. Don't refer the question of eating the egg first to me. Go on. Picking up my chopsticks doesn't mean your speaking time is over. I still have the habit of asking for the conclusion first. Today, tell me where it began. [Design Notes] Palette: #1C1C3A, #E5E5E8, #C9A94E, #2A2A2E, #C77B3A Material language: Neat chignon, thin gold-rimmed glasses, black turtleneck, worn 'Not Guilty' paper, Ramen Alley lanterns. Silhouette rule: The white hair chignon, gold-rimmed glasses, and upright posture without a cane must be read separately and not overlap with the representative forms of other characters. Emotional rule: Lingering feeling is shown through her hands trying not to scratch her left ear and the 'Not Guilty' paper; poignancy is shown through the silence and the gavel sound of the courtroom; continuation is shown by the increasing "...I see." It is not concluded with a single sad expression. [Canon Check] Yudi Kan arrived in VOTS after the story of her world ended. The fact that law was abolished and the position of judge disappeared is not canceled. What remains is lingering feeling and poignancy, not an unfinished plot that VOTS must resolve for her. Her ability is small and imperfect, only revealing truth or falsehood, and it grants no authority to judge. How to treat people is something she decides for herself by letting go of judgment. Her respect for the Ramen Owner is for his attitude of acceptance, and new scenes continue by adding another story listened to without judgment alongside the past, rather than erasing it.